Naked Lunch
by William S. Burroughs

(The section below is an excerpt intended to illustrate Burroughs' writing style, which has influenced William Gibson and other modern writers. Burroughs was a contemporary and friend of poet Allen Ginsberg, so it is worthwhile thinking of how their writing styles relate. The work is published by Grove Press, New York, 1959, pp. 96-99, and is worth reading for those interested in the beat movement or in cyberpunk. Also of interest is The Burroughs File, which collects Burroughs' shorter works and provides examples of his collage-based writing technique ("cut-ups"). Although Burroughs did not start to use this writing technique until after writing Naked Lunch, the excerpt below will show that there is a kind of a collage-like feel to his writing even before he used cut-ups)

THE MARKET

Panorama of the City of Interzone. Opening bars of East St. Louis Toodleoo ... at times loud and clear then faint and intermittent like music down a windy street....

The room seems to shake and vibrate with motion. The blood and substance of many races, Negro, Polynesian, Mountain Mongol, Desert Nomad, Polyglot Near East, Indianraces as yet unconceived and unborn, combinations not yet realized pass through your body. Migrations, incredible journeys through deserts and jungles and mountains (stasis and death in closed mountain valleys where plants grow out of genitals, vast crustaceans hatch inside and break the shell of body) across the Pacific in an outrigger canoe to Easter Island. The Composite City where all human potentials are spread out in a vast silent market.

Minarets, palms, mountains, jungle... A sluggish river jumping with vicious fish, vast weed-grown parks where boys lie in the grass, play cryptic games. Not a locked door in the City. Anyone comes into your room at any time. The Chief of Police is a Chinese who picks his teeth and listens to denunciations presented by a lunatic. Every now and then the Chinese takes the toothpick out of his mouth and looks at the end of it. Hipsters with smooth copper-colored faces lounge in doorways twisting shrunk heads on gold chains, their faces blank with an insect's unseeing calm.

Behind them, through open doors, tables and booths and bars, and kitchens and baths, copulating couples on rows of brass beds, crisscross of a thousand hammocks, junkies tying up for a shot, opium smokers, hashish smokers, people eating talking bathing back into a haze of smoke and steam.

Gaming tables where the games are played for incredible stakes. From time to time a player leaps up with a despairing cry, having lost his youth to an old man or become Latah to his opponent. But there are higher stakes than youth or Latah, games where only two players in the world know what the stakes are.

All houses in the City are joined. Houses of sod-high mountain Mongols blink in smoky doonuays-houses of bamboo and teak, houses of adobe, stone and red brick, South Pacific and Maori houses, houses in trees and river boats, wood houses one hundred feet long sheltering entire tribes, houses of boxes and corrugated iron where old men sit in rotten rags cooking down canned heat, great rusty iron racks rising two hundred feet in the air from swamps and rubbish with perilous partitions built on multi-levelled platforms, and hammocks swinging over the void.

Expeditions leave for unknown places with unknown purposes. Strangers arrive on rafts of old packing crates tied together with rotten rope, they stagger in out of the jungle their eyes swollen shut from insect bites, they come down the mountain trails on cracked bleeding feet through the dusty windy outskirts of the city, where people defecate in rows along adobe walls and vultures fight over fish heads. They drop down into parks in patched parachutes.... They are escorted by a drunken cop to register in a vast public lavatory. The data taken down is put on pegs to be used as toilet paper.

Cooking smells of all countries hang over the City, a haze of opium, hashish, the resinous red smoke of Yage, smell of the jungle and salt water and the rotting river and dried excrement and sweat and genitals.

High mountain flutes, jazz and bebop, one-stringed Mongol instruments, gypsy xylophones, African drums, Arab bagpipes ...

The City is visited by epidemics of violence, and the untended dead are eaten by vultures in the streets. Albinos blink in the sun. Boys sit in trees, languidly masturbate. People eaten by unknown diseases watch the passerby with evil knowing eyes.

In the City Market is the Meet Café. Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up Harmaline, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excisors of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war.... A place where the unknown past and the emergent future meet in a vibrating soundless hum... Larval entities waiting for a Live One ...